從當代藝術的視野進入紀錄片領域，對我而言它們所相同的是，兩者始終與這個世界保持不即不離的關係 – 我們身在其中，卻也反身觀看。
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拍紀錄片過癮的是，透過每個事件中的被攝者，我們得以浸入他人截然不同的生活相貌，或者撫慰、或者激勵、或者衝撞、陷入掙扎，雖使自我不安於現狀，卻也豐富生命。如果說舉起攝影機前是想像，過程所遇是現實，那麼紀錄片就是在想像的消減與現實的增生當中交錯現身，要說這一切有它的價值，我想正是影像中的現實總能給出幻想得不到的細節。那是溫度與真實的所在。

Entering the realm of documentary filmmaking from the perspective of contemporary art, I find that both fields share a similar stance toward the world: they remain close yet slightly apart — we dwell within reality, while simultaneously turning back to observe it.

What I find exhilarating about making documentaries is the chance to immerse myself in the distinct lives of each subject. Their stories may comfort, inspire, confront, or unsettle me; they disrupt my sense of stability, yet enrich my life. If lifting the camera is an act of imagination, then what unfolds during the process is reality. Documentary, then, emerges in the space where imagination recedes and reality grows.

If these experiences hold meaning, I believe it is because the reality revealed through images offers details that imagination alone can never reach. That is where warmth and truth reside.